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IN A LONELY PLACE
I was born when she kissed
me.
I died when she left me.
I lived a few weeks while she loved me.
-- From an unfinished screenplay by Dixon Steele
For
my money, IN A LONELY PLACE ($25) is one of the truly great noir
thrillers, as well as being a film that allowed Humphrey Bogart to create
one of his darkest and most disturbing screen characterizations. Although IN
A LONELY PLACE was produced by Bogart’s own company, the film wasn’t
the kind of material that a fifties era Hollywood leading man would
normally seek out. However, as Bogart's choice to play this unflattering
character would seem to indicate that the screen icon was an actor first
and a movie star second. Working under Nicholas Ray’s assured direction,
Bogart brings to life Hollywood screenwriter Dixon Steele, a man whose
uncontrollable temper would seem to be at odds with his artistic genius.
Because
Dixon’s temper has gotten him into more than a few scrapes within the
Hollywood community, no one is beating down the Hollywood scribe's door to
offer him a job. However, as the film opens, Dixon's agent has him lined
up to write the adaptation of a trashy pulp novel for a second rate
director. Because he has no interest in reading the novel himself, Dixon
takes home with him a pretty hatcheck girl who just finished the book, so
she can relay the plot to him. Unfortunately, after Dixon sends the
hatcheck girl on her way, her body turns up in a ravine, which leaves the
screenwriter as the last person to see her alive, and the prime suspect in
her killing.
However,
when Dixon’s beautiful new neighbor Laurel Gray (Gloria Grahame)
supplies the screenwriter with an alibi, the police reluctantly let him
go. Naturally, things heat up between Laurel and Dixon, and while the
police continue to keep him under their watchful eye, the writer’s
violent temper causes even Laurel to suspect that Dixon may indeed be
guilty of murder. As the IN A LONELY PLACE builds to its
unforgettable climax, the screenplay, Bogart's performance and Nick Ray's
direction gel flawlessly to create an unbearable sense of tension that
keeps the audience guessing right up until the very end. The cast of IN
A LONELY PLACE also includes Frank Lovejoy, Carl Benton Reid, Art
Smith, Jeff Donnell, Martha Stewart, Robert Warwick, Morris Ankrum,
William Ching, Steven Geray and Hadda Brooks.
Columbia
TriStar Home Entertainment has made IN A LONELY PLACE available on
DVD in a very nice looking full screen transfer that frames the movie in
its proper 1.37:1 aspect ratio. The black and white film elements for IN
A LONELY PLACE have undergone restorative work, from which the
transfer truly benefits. Burnett Guffey’s stark noir cinematography
looks quite good, with the image appearing crisp and well defined. Blacks
are solid and inky, while the whites are clean and completely stable.
Contrast is generally very good, with only a couple of shots appear
slightly weaker. Additionally, the grayscale has terrific variety and
nuance, which gives a nice sense of dimensionality to the image. There is
a noticeable grain structure throughout the presentation and some very
minor blemishes remain on the fifty-plus year old film elements. Digital
compression artifacts are always well camouflaged throughout the
presentation.
IN
A LONELY PLACE comes with a Dolby Digital monaural soundtrack, which
is relatively good sounding for a vintage 1950 film. The folks at Chase
Productions have cleaned up almost all traces of background hiss and
surface noise, which leaves IN A LONELY PLACE with a very crisp and
clear sounding track. Dialogue is always fully understandable and the
actors’ voices maintain a very nice sense of presence. There are certain
limitations in the fidelity of these half-a-century old recordings, but
the track does provide a pleasant aural experience even when a bit of
amplification is applied. A French language track has also been encoded
onto the DVD, in addition to English, French, Spanish, Portuguese, Korean
and Japanese subtitles.
The
basic interactive menus allow one access to the standard scene selection
and set up features, as well as a few rather choice supplements. In
a Lonely Place: Revisited is a twenty-minute program hosted by
noted director Curtis Hanson who looks back at the production of IN A
LONELY PLACE and explains his affinity for this particular film noir
classic. In a Lonely Place: Restoration Story is an
informative five-minute program that looks at the yearlong effort put into
restoring IN A LONELY PLACE for future generations, as well as its
release on DVD. The Bogart Collection retrospective,
featuring vintage advertising materials is also included on the DVD, as
are theatrical trailers for IN A LONELY PLACE, THE LADY FROM
SHANGHAI and THE BIG HEAT.
IN
A LONELY PLACE is one of the truly great film noir thrillers and a
movie that I am personally delighted to have available on DVD. Columbia
TriStar has done a fine job with the DVD; giving it a really terrific
presentation, as well as some solid supplements. If you are a movie buff,
Bogart fan or Nicholas Ray devotee, IN A LONELY PLACE is a must own
DVD. And if you are none of the above, IN A LONELY PLACE is still a
must own DVD. Highly recommended.
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This DVD review
is brought to you by
THE CINEMA LASER

In a Lonely Place (1950)
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