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THE DORIS DAY COLLECTION Whether it was as a singer, or and actress or both, there have been few entertainers who have brought as much joy to fans as Doris Day. Now in her eighties and long retired from entertaining, Doris Day has held onto a large base of fans and garnering new ones, thanks to the classic movie cable stations the regularly feature her sizable catalog of films. Nowadays, Doris Day is most recognized for the late fifties, early sixties bedroom farces in which she starred with Rock Hudson and Tony Randall. However, Doris Day’s film career spanned a much greater period, but in general, she has become a beloved screen legend in her own right for portraying characters with the kind of sunny disposition that one can only associate with Doris Day. For her legions of fans, Warner Home Video has made THE DORIS DAY COLLECTION available, an eight film boxed set that spans much of the performers cinematic career.
YOUNG MAN WITH A HORN has been given a really great black and white transfer that presents this 1950 production in its proper 1.37:1 framing. The film elements are in marvelous shape for their age; display very few blemishes and little apparent grain. Sharpness and image detail are excellent and the overall appearance of the movies is smooth, glossy and silky. Blacks are on the money, whites are crisp and the picture produces a rich grayscale and excellent contrast. The Dolby Digital monaural soundtrack does have some of the expected limitations in fidelity, but Harry James trumpeting dubs for Douglas’ character and Doris Days vocals are still very pleasing to the ear. Dialogue is always easy to understand and voices maintain a nice sense of character. No other language tracks are included, but English, French and Spanish subtitles have been provided. Extras on the disc are limited to a two-film Doris Day Trailer Gallery.
LULLABY OF BROADWAY has been given a really fine 1.37:1 transfer that nicely that renders this Technicolor treat. The film elements look terrific for their age, with few markings and little appreciable grain. Only the occasion errant shot with an optical appears slightly off. Image sharpness and detail are very good. Colors look great, and recreate the film’s pastel color scheme beautifully. Blacks are deep, whites are stable and the contrast is very smooth. The Dolby Digital monaural soundtrack is quite pleasing, even with the inherent limitations in these fifty plus year old recordings. There is no noticeable background hiss or other sonic anomalies at average listening levels, and the dialogue is always easy to understand. No other language tracks are included, but English, French and Spanish subtitles have been provided. Extras on the disc are limited to a three-film Doris Day Trailer Gallery.
This edition of CALAMITY JANE is identical to the very good-looking 1.37:1 aspect ratio transfer that was previously issued on DVD. CALAMITY JANE displays much of its original IB Technicolor beauty, with only minor flaws to remind one that the movie is more than fifty years old. There are some small scratches and bits of debris on the film element, but nothing too objectionable. Additionally, optical fades appear a tad bit blurry. The image is pretty sharp and nicely defined, with not too much by way of noticeable film grain. Colors generally display the vibrancy of the old IB Technicolor process, although outdoor and processed shots don’t look as good that those photographed under carefully controlled studio lighting. Blacks are accurately rendered, contrast is very good and shadow detail is on par with other Technicolor productions of the same era. CALAMITY JANE is presented in a nice sounding Dolby Digital monaural. While there are definite limitations in the fidelity of these nearly half-century-old recordings, background hiss and other signs of age related distortions are not readily apparent. Actually, the film’s bouncy score is rendered in a very pleasant manner, plus the dialogue is fully intelligible. A French language soundtrack has also been encoded onto the DVD, as have English, Spanish, French, Portuguese, and Japanese subtitles. Extras include a theatrical trailer, some Calamity Jane related newsreel footage, production notes, cast listing and a Doris Day biography.
MGM’s previous widescreen Laserdisc edition of more than a decade ago looked pretty terrific, but Warner 16:9 enhanced DVD edition of LOVE ME OR LEAVE looks phenomenal. The image is beautifully defined and almost always appears crisp. Colors are strongly rendered and highly appealing, especially the flesh tones. Blacks can be a tad weak in places, but overall are up to muster. Whites are clean and the picture boasts terrific contrast and more than respectable shadow detail. The film elements appear virtually pristine, with almost no appreciable grain. The Dolby Digital 5.0 channel soundtrack sounds wonderful for a fifty-year-old film, with Doris Day musical performances being the highlight. Fidelity has some mild limitations, but the original musical recordings have held up exceedingly well. Dialogue is crisp and easy to understand. A French language track has also been encoded on the DVD, as have English, French and Spanish subtitles. Extras include SALUTE TO THE THEATERS, which highlights MGM's CinemaScope releases from 1955, as well as the Vitaphone shorts A Modern Cinderella and Roseland, featuring the real Ruth Etting, plus a theatrical trailer for LOVE ME OR LEAVE.
THE PAJAMA GAME has been given a pretty nice 1.78:1 wide screen transfer that is enhanced for playback on 16:9 displays. A full screen presentation is offered on the flip side of the disc for anyone who cares, but it is not reviewed here. The widescreen presentation offers reasonably sharp and nicely defined image. Colors are a tiny bit unstable in place, but a generally appealing. Blacks are deep, white are stable and the picture produces good contrast. The film elements don’t display too many signs of age, although a grain structure becomes noticeable from time to time. The Dolby Digital monaural soundtrack certainly gets the job done, but the limitations in fidelity leave one wishing that the sound elements could have been rejuvenated a bit more could have justified a multi channel remix. Dialogue is clean and without problems. No other language tracks are included, but English, French and Spanish subtitles have been provided. Extras on the disc include a cast & crew listing, production notes, a theatrical trailer and a deleted musical number.
Presented in its proper 2.35:1 aspect ratio, the 16:9 enhanced presentation of PLEASE DON'T EAT THE DAISIES looks pretty darn good. There are some soft looking shots scattered about, but for the most part, image sharpness and detail are just fine. Colors can occasionally look mildly subdued, but otherwise they are just fine. Optical fades tend to skew the colors a bit, but those are the kind of things that are inherent in older films. Blacks are accurate, whites are clean and the contrast level is smooth. The film elements don’t display too many blemishes and grain is held in check. PLEASE DON'T EAT THE DAISIES comes with a perfectly respectable Dolby Digital monaural soundtrack. Fidelity is adequate, although the musical component can occasionally sound a bit thin. Dialogue is always completely understandable. A French language track has also been encoded on the DVD, as have English, French and Spanish subtitles. Extras on the disc are limited to a theatrical trailer.
BILLY ROSE'S JUMBO has been given a sterling 2.35:1 wide screen transfer that has been enhanced for playback on 16:9 displays. The image is bright, sharp and beautifully defined. Colors are vibrant and really enhance the circus environment of the film. Blacks are pretty deep, whites are crisp and the picture sports excellent contrast and fine shadow detail. The film elements display very few blemishes and grain is pretty minimal. For this release, BILLY ROSE'S JUMBO has been upgraded to a really nice Dolby Digital 5.1 channel mix. The musical numbers make good use of all the discrete channels to create an enveloping sonic environment. Fidelity is quite nice for the 1962 release, with a solid bottom end, as well as crisp, clean highs. Dialogue is easy to understand and the voices maintain a good sense of character. A French language track has also been encoded on the DVD, as have English, French and Spanish subtitles. Extras on the disc include a Vitaphone short, a Tom and Jerry cartoon that features an elephant, plus a theatrical trailer.
THE GLASS BOTTOM BOAT comes to DVD is a pretty darn nice 2.35:1 wide screen presentation that has been enhanced for playback on 16:9 displays. There are some mildly soft shots scattered about, but for the most part, things appear fairly sharp and pretty well defined. Colors are attractive, provide good saturation and produce appealing flesh tones. Blacks look good, and the whites are stable. Contrast is smooth and shadow detail is more than respectable. The film elements are very clean and there is little appreciable grain. The Dolby digital monaural soundtrack is also pretty darn good. Fidelity is more than respectable, with musical score always sounding quite pleasant. Dialogue is clean and always fully intelligible. Extras on the disc include three featurettes Every Girl's Dream, NASA and Catalina Island, plus The Dot And The Line; a Chuck Jones directed cartoon and a theatrical trailer. Spanning the various periods of her cinematic career, THE DORIS DAY COLLECTION is a delight that the entertainer’s fans will most definitely want to add to their collections. Warner does their usual fine job with the presentations of all the films, which should please everyone, even those with only a passing interest in the material. As a fan and movie buff, I am grateful THE DORIS DAY COLLECTION has come out and recommend it highly to other fans. The entire eight-film THE DORIS DAY COLLECTION is available for 88.98, with each individual title being available for $19.98. |
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