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IT CAME FROM OUTER SPACE
During
the 1950s Hollywood produced some of its greatest science fiction classics.
It was during this decade that science fiction films became focused the
possibility of visitors from another planet arriving the Earth. In some
cases, the aliens were beneficent as was the visitor in THE DAY THE
EARTH STOOD STILL, who came to warn the people of Earth against their
destructive warlike ways. However, in many cases the aliens were hostile
and bent on taking over the planet, as they were in EARTH VS THE FLYING
SAUCERS or WAR OF THE WORLDS. Somewhere between these two extremes
we find the film IT CAME FROM OUTER SPACE ($20), in which the alien
visitors are depicted in a neutral fashion, as travelers making an unexpected
stopover on Earth when their spaceship breaks down.
IT
CAME FROM OUTER SPACE is based upon a Ray Bradbury screen story and
the final film benefits from the poetic quality of the author’s writings.
Portions of the dialogue that come directly from Bradbury’s screen treatment
give the film and its characters greater depth than one would typically
find in a 1950s science fiction outing. Of course, Director Jack Arnold
infuses the story with the right level of chills, thrills and unexpected
jolts. There are some weaknesses in the structure of the story, but I
would imagine they were introduced after Bradbury’s work on the project
was completed.
The
plot of IT CAME FROM OUTER SPACE centers on a meteor strike in
the Arizona desert. Local amateur astronomer John Putnam (Richard Carlson)
and his girlfriend Ellen Fields (Barbara Rush) witness the meteor strike
and head out to the desert to investigate. John, Ellen and a local helicopter
pilot are the first people on the scene, and John decides to go down alone
into the massive impact crater to get a good look at the meteor. What
John finds resembles a spaceship, and when he approaches too close to
the unknown object, the rim of the crater collapses, completely burying
whatever landed in the desert. Of course, no one believes John’s fantastic
tale, that is, until some of the locals are abducted and replaced by alien
duplicates. Things don’t become any better when John uncovers the aliens’
true intentions and finds himself protecting the aliens from discovery,
as a means of insuring the lives of their very human hostages. The cast
of IT CAME FROM OUTER SPACE also includes Charles Drake, Joe Sawyer,
Russell Johnson and Kathleen Hughes.
Universal
Studios Home Video has made IT CAME FROM OUTER SPACE available
on DVD in a nice looking full screen transfer. While the image isn’t missing
anything from the sides, I am not entirely sure that the 1.37:1 presentation
is the intended aspect ratio for IT CAME FROM OUTER SPACE. The
majority of shots provide extra breathing room that would allow for matting
the film to a 1.85:1 aspect ratio, and in the course of the film’s commentary,
it is mentioned that IT CAME FROM OUTER SPACE was designed as the
first wide screen 3D movie. Still, owing to the fact that IT CAME FROM
OUTER SPACE was released in 1953, it is more than likely the film
was presented at 1.37:1 in many venues.
The
full screen black and white transfer itself looks good, offering a reasonably
sharp and well-defined image. Film grain is noticeable in places throughout
the course of the movie, but it is never bothersome. The film element
itself displays some blemishes, more in some places than others, but not
too bad when one considers that IT CAME FROM OUTER SPACE is nearly
a half a century old. Blacks are solid and deep, while the whites remain
stable. Contrast is fairly smooth, plus the look of the day for night
photography holds up pretty well in this transfer. Dual layer authoring
keeps digital compression artifacts well hidden.
The
Dolby Digital 3.0 channel soundtrack is a nice surprise, giving the movie
a bit more atmosphere than a flat monaural presentation. I did notice
that a number of the stereo sound effects were inversed, coming from the
opposite side of the screen where they are depicted visually. Fidelity
is limited by the recording technology available back in 1953, but the
film’s theremin intensive score still manages to sound quite good and
quite creepy. Dialogue reproduction is pretty clean and the actors’ voices
are always completely understandable. Neither background hiss nor any
other forms of audible distortion were noticeable at fairly natural listening
levels. Subtitles are provided on the DVD in English, French and Spanish.
The
basic interactive menus provide access to the standard scene selection
and set up features, as well as a number of nice supplements. IT CAME
FROM OUTER SPACE includes a running audio commentary with film historian
Tom Weaver. This is a truly excellent audio commentary- densely packed
with information about the film, its stars, writers and director. Plus,
Weaver brings an enthusiastic and entertaining quality to the commentary,
which convinces the listener that they are in the room with a fan who
is talking about a favorite movie. Also included on the DVD is a thirty-minute
documentary entitled The Universe According to Universal.
This program looks at a number of the science fiction films produced by
Universal, with emphasis on the fifties productions like IT CAME FROM
OUTER SPACE and THIS ISLAND EARTH (which deserves a restoration
and fully loaded DVD release). Other supplements include a Photograph
and Poster Gallery, a Theatrical Trailer, Production
Notes and Cast & Crew biographies/filmographies.
IT
CAME FROM OUTER SPACE is a minor
fifties science fiction classic that has been given a pretty solid release
by the folks at Universal Studios Home Video. The film could have worked
equally as well in a 16:9 enhanced wide screen presentation, and I wouldn’t
have minded a few scenes shown in 3D thrown in as a supplement. Still,
this is an excellent package that is certain to please fans, with a commentary
track that is not to be missed. If you are a film or a genre buff, you
will want to add IT CAME FROM OUTER SPACE to your DVD collection.
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