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BOWERY AT MIDNIGHT
Even
though he starred in a lot of Grade "Z" features, Bela Lugosi
movies are always worth watching- case in point- BOWERY AT MIDNIGHT
($20). BOWERY AT MIDNIGHT is one of the countless programmers produced
on Hollywood's poverty row, which was a place where Lugosi could occasionally
be found, especially when the actor was in need of a quick paycheck. In
BOWERY AT MIDNIGHT, Lugosi plays dual roles- during the day, he
is Professor Brenner, who teaches psychiatry at New York University; however,
at night, the mild mannered professor becomes criminal mastermind Karl
Wagner, who uses a soup kitchen on the Bowery as a front for his illegal
activities. Utilizing the steady stream of derelict criminals who enter
the soup kitchen as disposable help, Wagner pulls off a crime spree and
then buries the bodies of his spent gang members in the basement. Things,
however, take an unexpected turn, when we discover that the drug-addicted
doctor in Wagner's employ has been resurrecting all of the dead criminals
and hiding them in a secret chamber. Sure the plot of BOWERY AT MIDNIGHT
is ludicrous, but Lugosi exudes so much entertaining screen menace that
one easily overlooks the film's flaws whenever he is on the screen. The
cast of BOWERY AT MIDNIGHT also includes Wanda McKay, John Archer,
Dave O'Brien, Lew Kelly, Wheeler Oakman, Tom Neal, John Berkes, Vince
Barnett, Ray Miller, J. Farrell MacDonald and Anna Hope.
BOWERY
AT MIDNIGHT arrives on DVD thanks to the folks at The Roan Group.
The black and white film is presented in its proper 1.33:1 aspect ratio
and appears to be transferred from a good-looking 16mm source. Sharpness
and detail are not what one would find in pristine 35mm, but BOWERY
AT MIDNIGHT has a very watchable image. Well lit scenes offer more
detail, than those that are purposefully dark. There are the expected
age related scratches and blemishes on the element, but they are never
too distracting. Blacks are fairly accurate, but whenever the picture
gets dark, the image becomes somewhat muddy. Whites are stable and contrast
is decent. Digital compression artifacts are not a problem. The Dolby
Digital monaural soundtrack has some rough patches, where the music becomes
distorted, but for the most part dialogue is intelligible. Additionally,
there is a background hiss that can be overlooked at moderate volume levels.
The basic interactive menus provide access to the standard scene selection
and set up features, as well as some production notes.
Diehard Lugosi fans will
find BOWERY AT MIDNIGHT to be a hoot and better than most of the
Grade "Z" entertainment, in which the master of menace appeared.
Roan's DVD presentation is fairly solid, making the disc worth checking
out.
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This DVD review
is brought to you by
THE CINEMA LASER

Bowery
at Midnight
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