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THE DEAD ZONE
THE
DEAD ZONE ($30) is my favorite
movie adaptation of a Stephen King horror novel. Christopher Walken gives
one of the best performances of his career as teacher Johnny Smith. One
evening, after a date with his girlfriend Sarah Bracknell (Brooke Adams),
Johnny is involved in a terrible automobile accident, which leaves him
comatose. Five years pass before Johnny reenters the waking world, and
when he does, he finds that the life he knew is now gone. Not only does
Johnny have to deal with the loss of his job and painful physical rehabilitation,
he discovers that after his five-year absence, Sarah moved on with her
life and has married another man.
While he recuperates in a private clinic, Johnny discovers that he has
been blessed/cursed with the ability of second sight. When he touches
the hand of one of the nurses, Johnny sees a vision of the woman’s daughter
trapped inside a burning house. The vision comes true and the nurse is
able to save her daughter in the nick of time. As Johnny’s abilities become
stronger, Sheriff Bannerman (Tom Skerritt) approaches him with a request
that he use his "gift" to find the serial killer, who has plagued
the town of Castle Rock. Of course, Johnny gains him notoriety by assisting
the authorities and is forced into seclusion. Outside his new home, Johnny
has a chance encounter with senatorial candidate Greg Stillson (Martin
Sheen), which shows him why he has been given his powers and sets Johnny
down the path with his ultimate destiny.
As
I said above, THE DEAD ZONE gives Christopher Walken the opportunity
to deliver one of the best performances of his career. As Johnny Smith,
Walken is a truly sympathetic figure, who quietly suffers every blow that
fate throws at him, yet we see everything registering just behind his
eyes. Martin Sheen is particularly creepy as the politician, who seeks
ultimate power because he feels that it is his destiny. THE DEAD ZONE
also features a fine supporting performance from Herbert Lom as Johnny’s
physician, Dr. Sam Weizak. Lom’s work usually goes unrecognized because
he has appeared in too many PINK PANTHER movies, however he brings
a lot of subtlety to an underwritten role. Director David Cronenberg’s
approach to THE DEAD ZONE is subtle and understated, which allows
the character’s to carry the story, instead of letting the more horrific
aspects of the plot rise to the top. The solid cast of THE DEAD ZONE
also includes Anthony Zerbe, Colleen Dewhurst, Nicholas Campbell, Sean
Sullivan, Jackie Burroughs, Géza Kovács, Roberta Weiss and Simon Craig.
Paramount
Home Entertainment has done a truly impressive job transcribing THE
DEAD ZONE to DVD. This is the first time that THE DEAD ZONE
has been available in wide screen and the presentation is truly excellent.
The 16:9 enhanced presentation restores the film’s 1.85:1 theatrical framing,
with the compositions finally appearing properly balanced. The image appears
sharp and finely detailed, with only a few stray shots having slightly
less definition. Colors tend to have a somewhat subdued saturation, which
is quite appropriate for the bleak wintry period during which the story
takes place. Some of the interiors offer better saturation, but these
scenes don’t differentiate themselves from the film’s overall color balance.
Flesh tones appear fairly natural throughout the presentation, although
interiors do have a slight edge. Blacks are accurately reproduced and
the image does have a decent level of shadow detail- remember this is
a 1983 film release. The film element used for the transfer is in very
good shape, displaying very little appreciable film grain. However, there
are a few speckles on the print, which will remind one that this movie
is approaching the twenty-year mark. Digital compression artifacts never
called attention to themselves on this cleanly authored DVD.
The Dolby Digital 5.1 channel soundtrack has a simple, but effective mix.
Surround use is limited, although I noticed a couple of sound effects
that were decidedly split in nature. Like the rear channels, the forward
soundstage is somewhat subdued as well. This makes sense, since THE
DEAD ZONE is very much a dialogue driven film. The actors’ voices
are well recorded and the sound mix maintains a very good level of intelligibility
throughout. Michael Kamen’s somber musical score is nicely integrated
into the mix, sounding better than it did on the Laserdisc version of
the film. Other than one or two spots, there is little for the bass for
the bass channels to do, other than keeping the rest of the track from
sounding anemic. An English Dolby Surround and French monaural soundtrack
have also been encoded onto the DVD, as have English subtitles. The very
basic interactive menus provide access to the standard scene selection
and set up features, as well as a theatrical trailer.
THE DEAD ZONE
is one of the very best motion picture adaptations of a Stephen King horror
work. Paramount’s fine film only edition DVD looks and sounds great, making
this disc a worthwhile acquisition for King, Walken and Cronenberg fans
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This DVD review
is brought to you by
THE CINEMA LASER

The
Dead Zone (1983)
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